" Begum Jaan is, thus, immensely hard to take seriously.
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He was, in short, the kind of man who does indeed deserve to have Madhur Bhandarkar make a movie on his life - but we, the audience, could not possibly have sinned hard enough to tolerate this bilge. Sanjay Gandhi was an odd despot, a man who abused power and attempted to forcibly castrate a nation. Then, as the wedding is called off, we see as many shots of shoes being discarded till finally we have a crying bride and a father left all alone in a sea of upturned shoes. Because Dutt is a shoemaker, a crafter of juttis in Agra, we see too many Cinderella shots as he slips shoes onto his in-laws to be. We are given a few scenes of poorly written merriment before the brutal assault takes place, after which the filmmaker makes way for unbearable melodrama. The film opens with a shot of the girl's prized juttis falling from a moving vehicle during a scuffle, before it cuts to a generic shaadi song. That is the film in a line, but Kumar takes forever getting to it. "A girl is raped and she, along with her father, takes revenge. Kapoor is woefully out of her depth, yet is nearly outdone by the cartoonish efforts of her own brother Siddhanth as the notorious Dawood, here lounging around on velvet bedspreads and generally behaving like Ajit - minus the sense of humour.īhoomi was directed by Omung Kumar. It takes more than a mouthful of marbles to become The Godfather, and Shraddha Kapoor learnt that the hard way in Apoorva Lakhia's hideous biopic about a gangster who refused to be a mere moll. Do not watch Raabta, unless you already suffered through it in a past life." In the middle is Jim Sarbh, slimy and Joker-like, painting lips on paintings and shooting his own henchmen and basically being an oily ham.īy the time Deepika Padukone brings her almighty legs to the screen in an attempt to resurrect the film with a jig, all is already lost. Sanon performs more consistently and has remarkably assured body language, but the past-life dialogues are too much for her to shoulder. He oscillates inconsistently between his broken Punjabi-English and regular English, but his energy just about sees him through. "Rajput, a fine actor, tries far too hard to play the boyish cad, behaving like a Ranveer Singh fan hopped up on sugar. Raabta was based on reincarnation theme.(Image courtesy: Instagram) Here's what I said in my review: Producer Dinesh Vijan's directorial debut casts Sushant Singh Rajput and Kriti Sanon, two people who have chemistry, and gives them obnoxious halfwits to play before taking us into their past life, which looks like a weak Game Of Thrones masquerade. Yet, every time the genre appears to have faded away, it annoyingly comes back to life - and makes all the same mistakes.
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The reincarnation drama, a hackneyed staple of Hindi cinema, needs to be done away with. So he does still get to slap - just without eyewitnesses."
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The new film has chosen not to drop this ghastly impulse, but instead this time we cut away instead of showing the point of impact, focussing instead on horrified reactions and cheeky grins. Karisma Kapoor and Rambha felt Khan's palm frequently through the film, and at one point the two women even bent over on purpose in order to tell the twins apart. One of the Salmans - tragically, the one named Raja - had a hand that started quivering whenever any woman bent over, and he was compelled, almost magnetically, to thwack her bottom. "In case you don't remember, this posterior fixation was a big part of the original film. (Image courtesy: Instagram) Here's what I said in my review: Judwaa 2 is a remake of Salman Khan's 1997 film.
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Everyone involved in this remake deserves a spanking. Twenty years after the rollicking Judwaa, the remake decides to continue what 'worked' in the film and make sure it has a 'loveable' hero who just can't resist a woman's bottom.
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I can simply declare that its too spoofy to feel like a drama and too mournful to be funny." Is it an anti-deforestation public service film, telling us not to chop down trees because resident ghosts need a place to stay? Is it trying to inform us that places we consider monuments to tragedy are nice places to hug by moonlight? Is it a warning to engaged women who conduct their pre-wedding courtship largely on Skype, that most men are disappointing offline? I have no earthly clue. "Watching the film I wondered what it was trying to preach, since - like a bad street-play - it is too self-serious and portentous to not have a moral. Phillauri was produced by Anushka Sharma.